‘Artificial Intransigence’ by Paul Ilechko

oh dark times
by Alan Bern

Artificial Intransigence

Your computer     they say     
can generate better art 
than you could ever manage 

with a dozen years of training     
but I’m not sure if I believe it     
it’s in the vein of a thousand monkeys 
typing until one comes up with Hamlet  
   
all night long the datacenters 
quietly humming     draining 
power until they exhaust the capacities 
of the grid     do we just accept this 
as if it were normal?     algorithmic 

patterns merging and coalescing 
on the trivial     until they swamp 
their crucial datasets with the effluence 
of their own outcomes     poisoning 
the well for future iterations 
    
but don’t ask it to actually think     
don’t ask it to write a poem     or invent 
a better recipe     it lacks the nous 
to understand that pleasure is better 
when it’s tinged with just a touch of pain 
   
much as sweetness needs the bitter     
so don’t try to fool us with the leftovers 
found in an alleyway behind a fast-food 
restaurant     we have our limits     
even if we are slow to show it.


Paul Ilechko is a British American poet and occasional songwriter who lives with his partner in Lambertville, NJ. His work has appeared in many journals, including The Bennington Review, Bear Review, Atlanta Review, Permafrost, and Free State Review. His book, Fragmentation and Volta, was published in 2025 by Gnashing Teeth Publishing.  He reads for Marrow Magazine. 
https://www.facebook.com/pilechko/ https://www.instagram.com/njscattista
https://bsky.app/profile/pilechko.bsky.social


Retired children’s librarian Alan Bern received an MA in Creative Writing from Boston University studying with poet Anne Sexton and classicist Donald Carne-Ross. Alan is a Pushcart nominee and has published three books of poetry and a hybrid fictionalized memoir, IN THE PACE OF THE PATHUnCollected Press, 2023. Recent awards include: Longlist, The Bedford Competition (2023); Winner, Saw Palm Poetry Contest (2022). Recent/upcoming writing and photo work include: Third Street ReviewEcoTheo Review, ThanatosThe Hyacinth Review, DarkWinter, Feral, Porridge Magazine, and Mercurius. Alan performs with dancer/choreographer Lucinda Weaver as PACES: dance & poetry fit to the space, is a published/exhibited photographer, and runs a fine press/publisher with artist/printer Robert Woods, Lines & Faceslinesandfaces.com. https://www.instagram.com/abobern/ https://twitter.com/AlanBern1/https://www.facebook.com/alan.bern.1  https://www.linkedin.com/in/alan-bern-6b19448/